1st Edition – 2019

A Place to Discuss, Connect, Share, and Learn

The FSN project was born as a response to the need for a place where film educators could discuss and share best practices and teaching approaches and have meaningful conversations about the current issues facing the world of film education.
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film School Network

SCREENINGS

Day 1

  • Herzblut – DBS BERLIN
  • Tremor – LODZ Film School
  • Hivern, Amada Amanda, and Erroitz – ESCAC (3 entries)
  • Roughcut – SZFE
  • Kuda prividiat mechti – GITR
  • The trophy – EISAV

Day 2

  • College romance, and Without Christina – REGENT’S University (2 entries)
  • A dream, Night Riders, and Eddie – OBERLIN College (3 entries)
  • Postcards from Olimp, and All our loose ends – FTF UBB (2 entries)
  • Sea Shepherd, and Tomorrow IslandUniversidade LUSOFONA (2 entries)
  • Love steaks trailerFilm University KONRAD WOLF
  • Ghost estate, and Sky’s the Limit – DUNDALK Institute

Day 3

  • Burbuila, and Anoche – CENTRO UNIVERSITARIO DE ARTES TAI (2 entries)
  • A mochila, Devaneios, and Hoje vou ser – UNIVERSITY FERNANDO Pessoa (3 entries)
  • The oval portrait – BUDAPEST Film academy
  • Inka – WARSAW Film School
  • Antagonist, and Congratulations – MOLKOMS folkhögskola (2 Entries)
  • Mai dare un fucile a un’oca, and Noa – Accademia Cinema Toscana (2 Entries)

PANELS

Day 1

Learning by doing

Mal Rempen – DBS

Tamas Kollanyi – SZFE

Yago Alcover – ESCAC

Marting Hagemann – FUBKW

Domenico Zàzzara – ACT

Teaching acting for camera collaboratively

Anna Sullivan & Ted Wilkes – RUL

Adam Donald – DBS

Łukasz Barczyk – LFS

The transition from film school to professional filmmaking

Kenneth Sloane – DIT

Jeno Hodi – BFA

Iosif Katona – FTF UBB

Martin Hagemann – FUBKW

Miguel Urria – TAI

Day 2

The challenge of teaching

Miguel Urria – TAI

Olessia Stroeva – GITR

Kenneth Sloane – DIT

Ted Wilkes – RUL

Emiliano Galigani – ACT

Cinema teaching and the integration of international students

Elie Yazbek – IESAV

Nadien Trigo – UFP

Anna Moriagrega – ESCAC

Iosif Katona – FTF UBB

Mats Dahlman – Molkoms

Day 3

New Methods of creating films under the influence of internet genres

Olessia Stroeva – GITR

Ewa Szcepanowka – WFS

Rian Brown Orso – Oberlin

Ligia Smarandache – FTF UBB

Tamas Kollanyu – SZFE

independent pictures – writing, directing, low budget films

Jeno Hedi – BFA

Emiliano Galigani – ACT

Martin Hagemann – FUBKW

Łukasz Barczyk – LFS

MAts Dahlman – Molkoms

Film as a tool of scientific research

Paulo Viveiros – UL

Elie Yazbek – IESAV

Ligia Smarandache – FTF UBB

Ewa Szcepanowka – WFS

Mal Rempen – BDS

CONFERENCES

Day 1

Teaching contemporary filmmaking: new perception of reality and the context of virtuality. new genres of visual arts VR/AR.

by Olessia Stroeva – GITR

Constructive Pedagogy methods in the teaching of film editors

by Tamas Kollanyi – SZFE

Day 2

The process of extracting a film from the student’s mind

by Łukasz Barczyk – Lodz Film School

Teaching experimental and non-fiction animation

by Rian Brown Orso – Oberlin College

Mastering the midpoint

by Ted Wilkes – Regent’s University

Day 3

The power of archetypes

by Lorcan Dunne & Kenneth Sloane  – Dundalk Institute of Technology

Progressive administration: Holacracy

by Mal Rempen – DBS Berlin