A Place to Discuss, Connect, Share, and Learn
The FSN project was born as a response to the need for a place where film educators could discuss and share best practices and teaching approaches and have meaningful conversations about the current issues facing the world of film education.
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SCREENINGS
Day 1
- Herzblut – DBS BERLIN
- Tremor – LODZ Film School
- Hivern, Amada Amanda, and Erroitz – ESCAC (3 entries)
- Roughcut – SZFE
- Kuda prividiat mechti – GITR
- The trophy – EISAV
Day 2
- College romance, and Without Christina – REGENT’S University (2 entries)
- A dream, Night Riders, and Eddie – OBERLIN College (3 entries)
- Postcards from Olimp, and All our loose ends – FTF UBB (2 entries)
- Sea Shepherd, and Tomorrow Island – Universidade LUSOFONA (2 entries)
- Love steaks trailer – Film University KONRAD WOLF
- Ghost estate, and Sky’s the Limit – DUNDALK Institute
Day 3
- Burbuila, and Anoche – CENTRO UNIVERSITARIO DE ARTES TAI (2 entries)
- A mochila, Devaneios, and Hoje vou ser – UNIVERSITY FERNANDO Pessoa (3 entries)
- The oval portrait – BUDAPEST Film academy
- Inka – WARSAW Film School
- Antagonist, and Congratulations – MOLKOMS folkhögskola (2 Entries)
- Mai dare un fucile a un’oca, and Noa – Accademia Cinema Toscana (2 Entries)
PANELS
Day 1
Learning by doing
Mal Rempen – DBS
Tamas Kollanyi – SZFE
Yago Alcover – ESCAC
Marting Hagemann – FUBKW
Domenico Zàzzara – ACT
Teaching acting for camera collaboratively
Anna Sullivan & Ted Wilkes – RUL
Adam Donald – DBS
Łukasz Barczyk – LFS
The transition from film school to professional filmmaking
Kenneth Sloane – DIT
Jeno Hodi – BFA
Iosif Katona – FTF UBB
Martin Hagemann – FUBKW
Miguel Urria – TAI
Day 2
The challenge of teaching
Miguel Urria – TAI
Olessia Stroeva – GITR
Kenneth Sloane – DIT
Ted Wilkes – RUL
Emiliano Galigani – ACT
Cinema teaching and the integration of international students
Elie Yazbek – IESAV
Nadien Trigo – UFP
Anna Moriagrega – ESCAC
Iosif Katona – FTF UBB
Mats Dahlman – Molkoms
Day 3
New Methods of creating films under the influence of internet genres
Olessia Stroeva – GITR
Ewa Szcepanowka – WFS
Rian Brown Orso – Oberlin
Ligia Smarandache – FTF UBB
Tamas Kollanyu – SZFE
independent pictures – writing, directing, low budget films
Jeno Hedi – BFA
Emiliano Galigani – ACT
Martin Hagemann – FUBKW
Łukasz Barczyk – LFS
MAts Dahlman – Molkoms
Film as a tool of scientific research
Paulo Viveiros – UL
Elie Yazbek – IESAV
Ligia Smarandache – FTF UBB
Ewa Szcepanowka – WFS
Mal Rempen – BDS
CONFERENCES
Day 1
Teaching contemporary filmmaking: new perception of reality and the context of virtuality. new genres of visual arts VR/AR.
by Olessia Stroeva – GITR
Constructive Pedagogy methods in the teaching of film editors
by Tamas Kollanyi – SZFE
Day 2
The process of extracting a film from the student’s mind
by Łukasz Barczyk – Lodz Film School
Teaching experimental and non-fiction animation
by Rian Brown Orso – Oberlin College
Mastering the midpoint
by Ted Wilkes – Regent’s University
Day 3
The power of archetypes
by Lorcan Dunne & Kenneth Sloane – Dundalk Institute of Technology
Progressive administration: Holacracy
by Mal Rempen – DBS Berlin
