- Tavaha – VIA University
- You & I – Dundalk Institute
- The bed of Procrustes – Babeș-Bolyai University
- The French Revolution – Ma’aleh School of Film and Television
- Dust like Raisins – Kenyon College
- Familia / Let me create a moon – Oberlin College
Film School Network
A Place to Discuss Connect Share Learn
FSN 2020
Day 1
Day 2
- Borders Kill – Film University Babelsbeg Konrad Wolf
- Masza – Warsaw Film School
- ICED – IESAV
- Hidden – GITR Moscow
- Gusano de seda – ESCAC
- Los ninos Lobos – EICTV
Day 3
- Scroll – Catalyst Institute of creative arts and technology
- The Knot – Universidade Lusofona
- Seven Tolls – Molkoms Folkhogskola
- Moksha – Regent’s University
- Solo Una Mas – Metropolis escuela de Cine y Teatro
- Memorie – Accademia Cinema Toscana
SCREENINGS
PANELS
Day 1
Organizational Resilience
Domenico Zazzara – ACT
Omri Levy – The Maaleh School of Film & Television
Guillermo Fernández Groizard – Metropolis.ce
Louis Thonsgaard – VIA university
Audience & Creation
Guillermo Fernández Groizard – Metropolis.ce
Elie Yazbeck – IESAV
Jonathan Sherman – Kenyon College
International Program Exchange
Louis Thonsgaard – VIA university
Mats Dahlman – Molkom’s
Manuel Damasio – Lusofona
Lorcan Dunne – Dundalk institute
#MeToo and Educational
July Saragosa – Catalyst
Jonathan Tazewell – Kenyon college
Rian Brown Orso – Oberlin College
Day 2
Living a pandemic world
Martin Hagemann – Filmuniversity Babelsberg KONRAD WOLF
Jonathan Sherman – Kenyon College
Elie Yazbeck – IESAV
Online practical filmmaking
Michael Peel – Regent’s University
Alexey Pozharov- GITR Moscow
Lorcan Dunne – Dundalk institute
Documentary teaching
Lotte Mik-Meyer – Norvegian Film School
Yago Alcover – ESCAC
Juliana Fanjul – EICTV
Online Obstacles and opportunities
Daniel Iftene – Babeș-Bolyai University
Toufic el Khoury – EIESAV
Juliana Fanjul – EICTV
Day 3
Student and creativity
Ted Wilkes – Regent’s University
Jonathan Tazewell – Kenyon college
Martin Hagemann – Filmuniversity Babelsberg KONRAD WOLF
Filming the unfilmable
Omri Levy – The Maaleh School of Film & Television
Emiliano Galigani – ACT
Ted Wilkes – Regent’s University
Adapt Edu to be attractive
Ewa Szczepanowska – Wasraw Film School
Ligia Smarandache – Babeș-Bolyai University
Olessia Stroeva – GITR Moscow
Paulo Viveiros – Universidade Lusofona
FSN 2019
Day 1
- Herzblut – DBS BERLIN
- Tremor – LODZ Film School
- Hivern, Amada Amanda, and Erroitz – ESCAC (3 entries)
- Roughcut – SZFE
- Kuda prividiat mechti – GITR
- The trophy – EISAV
Day 2
- College romance, and Without Christina – REGENT’S University (2 entries)
- A dream, Night Riders, and Eddie – OBERLIN College (3 entries)
- Postcards from Olimp, and All our loose ends – FTF UBB (2 entries)
- Sea Shepherd, and Tomorrow Island – Universidade LUSOFONA (2 entries)
- Love steaks trailer – Film University KONRAD WOLF
- Ghost estate, and Sky’s the Limit – DUNDALK Institute
Day 3
- Burbuila, and Anoche – CENTRO UNIVERSITARIO DE ARTES TAI (2 entries)
- A mochila, Devaneios, and Hoje vou ser – UNIVERSITY FERNANDO Pessoa (3 entries)
- The oval portrait – BUDAPEST Film academy
- Inka – WARSAW Film School
- Antagonist, and Congratulations – MOLKOMS folkhögskola (2 Entries)
- Mai dare un fucile a un’oca, and Noa – Accademia Cinema Toscana (2 Entries)
SCREENINGS
PANELS
Day 1
Learning by doing
Mal Rempen – DBS
Tamas Kollanyi – SZFE
Yago Alcover – ESCAC
Marting Hagemann – FUBKW
Domenico Zàzzara – ACT
Teaching acting for camera collaboratively
Anna Sullivan & Ted Wilkes – RUL
Adam Donald – DBS
Łukasz Barczyk – LFS
The transition from film school to professional filmmaking
Kenneth Sloane – DIT
Jeno Hodi – BFA
Iosif Katona – FTF UBB
Martin Hagemann – FUBKW
Miguel Urria – TAI
Day 2
The challenge of teaching
Miguel Urria – TAI
Olessia Stroeva – GITR
Kenneth Sloane – DIT
Ted Wilkes – RUL
Emiliano Galigani – ACT
Cinema teaching and the integration of international students
Elie Yazbek – IESAV
Nadien Trigo – UFP
Anna Moriagrega – ESCAC
Iosif Katona – FTF UBB
Mats Dahlman – Molkoms
Day 3
New Methods of creating films under the influence of internet genres
Olessia Stroeva – GITR
Ewa Szcepanowka – WFS
Rian Brown Orso – Oberlin
Ligia Smarandache – FTF UBB
Tamas Kollanyu – SZFE
independent pictures – writing, directing, low budget films
Jeno Hedi – BFA
Emiliano Galigani – ACT
Martin Hagemann – FUBKW
Łukasz Barczyk – LFS
MAts Dahlman – Molkoms
Film as a tool of scientific research
Paulo Viveiros – UL
Elie Yazbek – IESAV
Ligia Smarandache – FTF UBB
Ewa Szcepanowka – WFS
Mal Rempen – BDS
Day 1
Teaching contemporary filmmaking: new perception of reality and the context of virtuality. new genres of visual arts VR/AR.
by Olessia Stroeva – GITR
Constructive Pedagogy methods in the teaching of film editors
by Tamas Kollanyi – SZFE
Day 2
The process of extracting a film from the student’s mind
by Łukasz Barczyk – Lodz Film School
Teaching experimental and non-fiction animation
by Rian Brown Orso – Oberlin College
Mastering the midpoint
by Ted Wilkes – Regent’s University
Day 3
The power of archetypes
by Lorcan Dunne & Kenneth Sloane – Dundalk Institute of Technology
Progressive administration: Holacracy
by Mal Rempen – DBS Berlin
